在余杭开阔的杭嘉湖平原和京杭大运河的南端，诺贝尔陶瓷岩板科技文化中心，这个前所未有，以陶瓷文化为主导开始的地方，构筑起历史与未来的追求，更友好的将这片土地与建筑、室内、人产生情感的连结，形成“天、地、人”和谐的相处之道。 In Yuhang’s open Hangjiahu Plain and the southern Beijing-Hangzhou Grand Canal,there is a Nobel Ceramic Rock Slab Technology and Cultural Center, which isunprecedented with ceramic culture, building the hope of history and thefuture, and connects the land with the emotions of architecture, interior andpeople more friendly, forming a harmonious coexistence of "heaven, earth,and people".
There must be heaven and earth before everything 先有天地 后有万物
科技中心的土地曾经是几座生产陶瓷的厂房，原地而起的建筑是设计师杜柏均与好友林琮然携手而作的“中华文明曙光”，他们再造传统六器“琮”的精神，将“礼天地四方”的文物，用“形”承载信仰体系，用“天圆地方”的思想，以方形为底座，将建筑坡顶的形式，与当地的超山、半山、临平山所环绕的山形，一起构筑起流动的曲线，用直立锁边工法设计，大跨度呈现出建筑与自然的融合。 Theland occupied by the Science and Technology Center used to be an empty factorybuilding. The designer Tu Pochun and his friend Lin Congran carefully plannedthe building as the "Dawn of Chinese Civilization." They recreatedthe spirit of the traditional six kinds of jade "Cong", inherited thebeliefs of "treasures of the world" through "shape",designed the square base through the idea of"yin and yang balance, dynamicand static complementation", and referred to Chaoshan Moutain, BanshanMountain and Linping Mountain to create the building, which constructs aflowing curve, showing the integration of architecture and nature.
建筑的立面，也颇有新意。首次采用的诺贝尔新型研发的大尺寸岩板抛砖引玉，打破干挂单块面积1.5平方的技术限制，后化为万物，与通透的玻璃幕墙组合，进一步烘托出建筑的曲面感，形成优雅有序的体态，将建筑与天地对话，呼应万物。 Thefacade of the building is also quite innovative. They used Nobel’s newlarge-size rock slab developed for the first time, breaking the technical barrierof 1.5 square meters combining it with the transparent glass curtain wall tofurther highlight the curved surface of the building, forming an elegant andorderly picture, building dialogues with the heaven and the earth.
Meet"the land of peach blossom"梦回初心 遇见桃源
魏晋诗人陶渊明笔下的《桃花源记》，短短三百六十字的篇幅，却历越千年，风物亦然。 "The Land of Peach Blossom" created by the Wei and Jin Dynasty poet Tao Yuanming has only three hundred and six words, but it can be passed down for thousands ofyears and is still loved by people.
那个中国人心之所向，梦之彼方的“桃源”所在，不再是文人笔下的“幻想”，不再是单纯的“田园”，更代表一种精神，一种被中国审美枝叶所浸泡，被理想的光环所笼罩着的“人与人的和谐，人与自然的和谐”，这种美好的寄托是中国人骨子里的精髓，也是设计师杜柏均所追求的人文哲学。 In Chinese people’s heart, "The Landof Peach Blossom" is no longer a "fantasy" written by literati, andno longer a simple "pastoral", but a spirit, a halo brought out by Chinese aesthetics and ideals. The concept of "harmony between men,harmony between man and nature" is rooted in the blood of the Chinese, and it is also the humanistic philosophy pursued by the designer Tu Pochun.
整个建筑和室内所隐喻的“桃花源”，是杜柏均心中对中国文化的推崇和解读：“在西方的语境下，他们的理想国是富丽堂皇的现代艺术，而东方的理想国，则是陶渊明的桃花源。 TuPochun's admiration and interpretation of Chinese culture is reflected in theentire building and interior of "The Land of Peach Blossom". "In the context of the West, their ideal country is magnificent modern art, while the ideal country in the East is Tao Yuanming's The Land of Peach Blossom."
Constantly show new pictures as the position changes仪式感的移步换景
穿过一段蜿蜒的小路，忽然视野打开，不正是“初极狭，才通人，复行数十步，豁然开朗。土地平旷，屋舍俨然，有良田美池桑竹之属”的美景。《桃花源记》中的引人入胜，从建筑入口的镜面水池就开始了，设计师通过抬起的入口将人们引入大堂，通过顶部岩板的造型，形成仪式感，层层叠叠的铺展开来，再围绕二楼中庭的圆心桶设计，自然过渡到企业文化墙，其所在，有精心，有惊喜，让人回味无穷。灵动的动线设计不止于此，环绕式的观览体验，内外情景的交融，自然气息的深入，叙事性的空间如此精彩。 When we crossed a winding road, we suddenly broadened our vision. "At first I thought it was very narrow inside, and then I realized that I could walk through it. After a dozen steps, there was land, houses, heaven and earth, ponds, and mulberry trees inside. It was so beautiful." The scenery in "The Land of Peach Blossom" is too fascinating. Starting from the mirrored pool at the entrance of the building, the designer introduces people into the lobby through the entrance, forming a sense of ceremony through the top rock slab. Then, from the round barrel design in the atrium on the second floor to the corporate culture wall, the designer was so creative and created a lot of surprises, which made people feel more and more interesting. The smart moving line design, the surrounding viewing experience, the blending of internal and external scenes, the deepening of the natural atmosphere, and the narrative space, so wonderful.
▲ 多媒体环形剧院
Incisive use of rock slabs岩板淋漓尽致的运用
设计团队将岩板这个主题淋漓尽致的运用在不同的场景中，其中岩板运用超过１２５００平方米,小到桌面、台面、地面和柜门，大到岩板材料所做出的空间展示和应用。无论是新中式风格，现代风格…..都能于此，找到设计的灵感。 此外，酒店的大堂、吧台、会议室、贵宾室等空间的处理，也都能看见岩板和墙布的应用结合，可满足不同的需求。 Whether it is a new Chinese style or a modern style...we can find design inspirationhere. In addition, we can also see the application of rock slabs and wallcoverings in the hotel lobby, bar, meeting room, VIP room, etc., to meetdifferent needs.
▲ 电梯厅情境区
▲ 岩板选材区
▲ 样板间
▲ 贵宾室
▲ 超酷会议室
▲
▲ 工艺教学展示区
A symbol ofcivilization shaped by fire and earth火与土塑造的文明象征
陶瓷自古以来是火与土所塑造的文明象征，从良渚出土的陶器、德清的黑陶、龙泉的青瓷、哥窑、狼窑到诺贝尔陶瓷……独特的当地文化，对陶瓷的崇拜和历史文明的延续，是这座建筑划分室内空间的依据。 Ceramicshave been a symbol of civilization created by fire and earth since ancienttimes. From the pottery unearthed in Liangzhu, black pottery from Deqing,celadon from Longquan, Ge Kiln, Lang Kiln to Nobel ceramics... the unique localculture, the worship of ceramics and the continuation of historicalcivilization, divide the interior space of this building.
▲ １Ｆ P L A N
▲ ２Ｆ P L A N
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