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Louise Liljencrantz新作--北欧简约的温柔
禾木木  / 发表于 2021-3-22 19:04:30 |精品样板·严选  / ★外国设计师/美英法

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Louise Liljencrantz是一家位于瑞典斯德哥尔摩的室内设计工作室,由室内及家具设计师Louise Liljencrantz成立于2012年。Louise Liljencrantz的风格突显出现代高雅与天然材料和质感的完美结合,她的低调标志性风格在某种程度上重新定义了所谓的斯堪的纳维亚设计的语言。
Louise Liljencrantz is an interior design studio based in Stockholm, Sweden, founded by founder Louise Liljencrantz in 2012. Highlighting the perfect combination of modern elegance with natural materials and textures, Louise Liljencrantz's low-key signature style has in some ways redefined the language of so-called Scandinavian design.



Strandvagen Home
斯堪的纳维亚的魅力

Louise Liljencrantz完成了位于瑞典首都斯德哥尔摩市中心的一座250平方米的公寓,其名为Strandvagen Home。该公寓位于市中心的黄金地段,俯瞰着河流和庄严的皇家戏剧剧院。公寓所在的那栋建筑可追溯到20世纪20年代,那是一个富裕和优雅的时代。Louise Liljencrantz的设计体现了对斯堪的纳维亚设计的细节和现代主义设计的高度赞赏。

Louise Liljencrantz has completed a 250-square-metre apartment called Strandvagen Home in the heart of Stockholm, Sweden. The apartment is in a prime location in the city centre overlooking the water and the stately Royal Theatre. The building in which the apartments are located dates back to the 1920s, a time of affluence and elegance. Louise Liljencrantz's designs embody a strong appreciation of Scandinavian design detail and modernist design.



Sofia Wallenstam
宁静而强大的优雅美学

Louise Liljencrantz为时尚品牌House of Dagmar的联合创始人Sofia Wallenstam将斯德哥尔摩的艺术和工艺风格的住宅改造成宁静而强大的优雅的永恒愿景。这位女主人在斯德哥尔摩市中心自然保护区一栋20世纪早期的遗产保护建筑里,将与生俱来的瑞典情感运用到了自己的家中。

Louise Liljencrantz has a timeless vision for Sofia Wallenstam, co-founder of fashion label House of Dagmar, to transform an arts and crafts style home in Stockholm into a tranquil yet powerful and elegant one. The hostess applied her native Swedish sensibility to her home in an early 20th century heritage-protected building in a nature reserve in central Stockholm.



宽敞的空间有极简主义的线条,内敛的色调和坚固的自然材料。但这位时尚品牌House of Dagmar的联合创始人在一个关键方面与她的同胞有不同之处:对Sofia Wallenstam来说,审美和实用性之间没有竞争,每次都是美学获胜。
The spacious space has minimalist lines, restrained colors and solid natural materials. But the co-founder of the fashion House of Dagmar sets herself apart from her compatriots in one key respect: for Sofia Wallenstam, there is no competition between aesthetic and practical, aesthetic wins every time.



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