RAAS Chhatrasagar度假酒店位于印度拉贾斯坦邦的Pali区，提供20间客房。酒店所在的拦沙坝有着近150年的历史，并
形成了一个常年的雨水湖。该项目是由原先按季节开放的帐篷区改造而来，其周围环绕着800英亩的原始林地，拥有丰
富的生物多样性。
RAAS Chhatrasagar is a 20-key hospitality property located near the town of Nimaj, in Rajasthan’s Pali
district. Perched atop a nearly 150-year-old check dam that forms a perennial rainwater lake, it
reinvents an earlier property that used to operate out of seasonal tents, thereby providing guests with
a year-round opportunity to observe the region’s abundant biodiversity amidst 800 acres of pristine
forestland.
▼鸟瞰，aerial view © Avesh Gaur
▼帐篷营地，aerial view to the camp © Avesh Gaur
设计任务是创造一个能够同时抵挡该地区炎热夏季和寒冷冬季的住宿环境，使其在全年持续运营；此外还需将现有的帐
篷客房数量扩展至16个，并在公共空间中置入更丰富的配套设施。考虑到当生态环境的敏感性，所有新增的设施都必须
以最小的环境足迹来建造。为了建立酒店与户外环境的亲密关系，设计团队为项目构思了一个低环境影响的地基和轻质
的上层建筑系统。建筑几乎不使用水泥材料且采用干式建造，在必要的位置仅使用石灰作为粘合剂。
The design brief called for developing a perennial property resilient to the harsh summers and cold
winters of the region. In addition there was a need to increase the existing capacity to sixteen tented
units and augment the public spaces with a richer amenity mix. Of paramount concern was the site’s
sensitive ecological context, which made it imperative that all additions be erected on minimal
environmental footprint. To establish an intimate connection with the outdoors while being mindful of
the surroundings, the design team conceptualized a system of low-impact foundations and lightweight
superstructures for the project. Keeping in mind environmental concerns, the team set out to construct
almost entirely without cement, employing a dry construction methodology and using lime as a binder
wherever minimal wet work was required.
▼从湖面望向帐篷客房区，view to the camp from the lake © Avesh Gaur
▼从景观庭院望向建筑，view from the landscaped courtyard © Avesh Gaur
▼餐厅建筑，restaurant building © Avesh Gaur
功能空间分为公共区和私人区，整体沿着拦沙坝本身的长度和线性布局进行配置。中央庭院的北面设有接待区兼酒吧餐
厅，西面是全年开放的无边泳池。私人住宅设置在场地北部边缘，并借助小型花园保证了私密性。帐篷营地位于庭院南
侧，是在原有帐篷区的基础上改造而成。
The functional programme comprises public and private spaces laid out in a linear configuration along
the length of the dam. To the north of the central court is the reception-cum-bar and restaurant,
abutted by an all-season infinity pool to the west; screened by a small garden is the owners’ private
residence along its northern edge. The single-storey structure is placed strategically with adjoining
back-of-house functions to receive a continuous supply of fresh, farm-to-table produce. Bordering the
southern periphery of the court is the camp consisting of stilted tented pods that build on the legacy
of the erstwhile tents.
▼餐厅，restaurant © Avesh Gaur
▼餐厅露台，restaurant terrace © Avesh Gaur
© Noughts And Crosses
▼用餐空间，dining area © Noughts And Crosses
▼临湖用餐区，outdoor dining area with lake view © Noughts And Crosses
▼餐厅吧台，bar © Noughts And Crosses
▼夜景，night view © Noughts And Crosses
从整体布局来看，16个帐篷沿着堤坝的轮廓连续放置，形成一个统一的居住单元，保持了堤坝结构的完整性，同时让
MEP设备抬升于地面，使雨水能够自由排入湖中。客人们将沿着附近森林绿化带的景观长廊进入度假区，经过石阶、绿
树成荫的坡道并穿越花园，最终到达通向各住宿单元的平台。
The site plan lays out the sixteen ‘pods’ as an arrangement of conjoined suites raised on stilts to
preserve the embankment’s structural integrity and enables MEP services to run elevated off the dam,
allowing rainwater to drain freely into the lake. Guests access the property via a landscaped walkway
along the nearby forest belt, climbing a series of stone steps through tree-lined slopes and gardens to
a deck leading into the units.
▼16个帐篷形成一个统一的居住单元，the site plan lays out the sixteen ‘pods’ as an arrangement of
conjoined suites © Avesh Gaur
▼帐篷客房临湖立面，camp facade facing the lake © Avesh Gaur
▼泳池，swimming pools © Noughts And Crosses
帐篷的设计原则是尽可能地引入两个方向的户外景观，使湖面上的日出和森林中的日落成为住宿中体验的一个重要部分
。因而，每间客房都设置了向外延伸的休闲空间，其结构由轻质金属编织而成，并通过由预制混凝土和废旧橡胶压制而
成的管道基座系统加以支撑。
The underlying design principle for the camp was to frame the outdoor experiences along both edges of
the pods. The sunrises over the lake and sunsets into the forest become an integral part of the guest
experience. Thus, each pod hosts spill-outs for outdoor lounging. The structure is made of a lightweight
metal weave that springs off pile foundations made of precast concrete hume pipes with compacted waste
rubble.
▼帐篷客房内部，interior view of the pod © Avesh Gaur
▼帐篷的设计原则是尽可能地引入两个方向的户外景观 © Noughts And Crosses
The underlying design principle for the camp was to frame the outdoor experiences along both edges of
the pods
帐篷内部采用了织物衬里，一方面保证了声学上的舒适性，另一方面也为房间提供了一个充满活力的背景——其图案呼
应了该地区动植物的多样性，成为对周围环境观察的一种延伸。一系列木版画、丝网和数字印刷图案以及手工刺绣布料
描绘了原生的假阿拉伯胶树和印度楝树，由Dhvani Behl领导的Flora For Fauna工作室进行绘制。
The pods are fabric-lined internally as well, offering both acoustic comfort and serving as a vibrant
canvas celebrating the diversity of plant and animal forms from the region—manifesting as an extension
to the sightings observed in the environs. Native babul and neem trees, and indigenous bird and animal
life find expression through woodblock, screen, and digital prints as well as intricate hand-embroidered
fabrics, executed by printmaker Dhvani Behl’s studio Flora For Fauna.
▼织物衬里为房间提供了一个安静而又充满活力的背景，the fabric offers both acoustic comfort and serves as
a vibrant canvas © Noughts And Crosses
▼室内细节，interior details © Noughts And Crosses
▼露台空间，outdoor terrace © Avesh Gaur
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