此项目位于杭州象山艺术公社，包括位于32幢一层的叉艺术书店，以及52幢一层的工作坊，两处空间由廊道相连。项目业主“平行所”是一家复合型文化机构，其运营的空间还包括设计展厅、美术馆和“去约咖啡”。
Located in Hangzhou Xiangshan Art Commune, this project is comprised of X-Art Bookshop and a workshop, both of which are on the ground floor of two buildings and connected by surrounding passageways. The client, Parallel Institute, is a culture complex that also runs a design pavilion, an art gallery and “Cheer Café”.
▼叉书店夜景全景，overall night view of the project © 李雁军
我们接到设计委托之时，书店与工作坊已完成基本的室内装修（包括空调、照明、地面、门窗工程等），但室内依然空置。叉书店的定位与传统型书店有所不同，作为一个艺术书店，其空间重在展示，且应具有可变性。业主希望将它打造成展示、零售艺术书籍及艺术品的场所；与工作坊结合使用，亦可进行分享讨论、手工制作等活动。
When we received the commission, the basic interior constructions (including air conditioning, lighting, flooring, etc.) had been completed, but the spaces were still vacant. The client decided that X-Art Bookshop should differ from traditional bookshops, with a space that is display-oriented and variable. They expected a new place with multi-functions: for display and retail of art books and artworks; for seminars and activities such as handcraft courses.
▼叉书店夜景，night view © 李雁军
设计理念
Design Concept
设计的出发点是“纸张”这一概念，进而演化为“折纸”的手法。自古以来，纸张是文明的载体、文化传播的重要方式；而当代诸多艺术书籍，也将“纸”作为艺术创作的重要元素。我们希望将知识与艺术的抽象概念投射到“纸”的具象形态上。“折纸”的手法用在了书店入口门头、室外标识、室内书架、墙面装置乃至收银柜台，它们在统一的设计理念之下，又呈现出各自的特点。
The original concept of this design is the image of “paper”, which evolved into the approach of “origami”. Since ancient times, paper has been a symbol of knowledge as well as an important means of communication; while nowadays, paper is being used in many art books as an essential element. We intend to project abstract concepts of “knowledge” and “art” into concrete forms of “paper”. The approach of “origami” is applied in the design of bookshop front, bookshelves, wall-installations and the cashier’s counter, all of which have their own individual characteristics but under a unified design concept.
▼叉书店正立面，front facade © 李雁军
此外，我们设计中积极进行先锋的材料尝试，并使用SOP标准化模块以减少施工周期，且可通过模块化操作满足未来的空间拓展需求。
In addition, we have actively experimented with combinations of avant-garde materials in the design, using SOP modulars that not only ensure the project completed within limited construction period, but also could be easily operated to meet the needs for future spatial expansion.
▼叉书店入口门头，store front © 李雁军
“灰空间”：东侧廊道
“Grey Space”: the East Passageway
从叉书店主入口沿着东侧廊道可行至工作坊，我们沿此“灰空间”路径设计了一系列室外标识。醒目的书店门头由镀银杜邦纸与镀锌钢管打造，既呈现出未来感，又表达出传统的“书卷”这一意象。室外标识的设计手法与书店门头相似，从不同角度看去，标识上的杜邦纸会呈现出“箭头”的形态，指向书店或工作坊方向。在东侧廊道设计有悬挂海报的位置，是平行所对外宣传的窗口。
▼叉书店&工作坊轴侧图，axonometric drawing of the project © 已知建筑
A series of outdoor signs are placed along the path that leads from the main entrance of the bookshop along the east passageway – the so called “grey space” – to the workshop. The eye-catching bookshop front, made of silver-plated Tyvek and galvanized steel pipes, creates a futuristic look while still conveys a traditional image of “book scrolls”. The other outdoor signs are designed with the similar approach of the bookshop front, with Tyvek material on them shaping the form of “arrows” that pointing in the direction of the bookshop or the workshop, when viewed from different angles. The east passageway is also designed with places to hang posters, serving for the promotion of Parallel Institute.
▼叉书店东侧廊道及室外标识，the east passageway and outdoor signage of the bookstore © 傅圣迪
▼叉书店门头近景与细部，Closer view and details of the storefront © 李雁军
▼叉书店展示窗，display Window of the bookstore © 李雁军
室内空间与定制家具
Interior Space and Custom-made Furniture
书店室内原有0.75m的高差，为了更好的整合与利用空间，我们设计了木质地台填补大部分高差（仅保留入口处高差）。在地台上放置收银柜台，地台内有两个大抽屉用以储藏。
▼叉书店轴侧图，axonometric drawing of the bookstore © 已知建筑
There was a 0.75m height difference in the bookshop. To better integrate the space, we have designed a wooden platform to fill in most part of the original “lower space” – only the “lower” entrance was retained. The platform, above which the cashier’s counter is placed, contains two large drawers for storage.
▼叉书店室内概览，interior view of the bookstore © 李雁军
▼叉书店入口玄关，entrance area of the bookstore © 李雁军
▼叉书店新增地台与柜台，the new platform and counter ©李雁军
▼由入口空间看台地之上，viewing the platform from the entrance © 李雁军
▼叉书店柜台及推车，counter and cart © 李雁军
书架是叉书店空间的主角，它们最主要的特征是前卫而兼具手工感的外观和灵活可变的性能。书架使用镀锌钢管作为主体结构，搁板采用PC板外覆白色杜邦纸的设计，并以U型亚克力边条和角铝封边。搁板看起来轻盈且微微透光，并可手动操作其转动，呈现出倾斜展示或平放的姿态，让书架像手中的折纸一样动起来。我们沿着书店的三面落地玻璃窗放置书架，创造出兼有一定围合感与穿透性的空间界面。
The bookshelves are the protagonists of X-Art Bookshop. They have a light, avant-garde appearance with handcrafted marks; meanwhile, they could offer multi and variable functions. The shelves are made of galvanized steel pipes as main structure, and PC sheets covered by white Tyvek and sealed by U-shaped acrylic strips and aluminum angles. With a light and slightly translucent look, they can be manually operated to be displayed in the tilted or the flattened position. Standing along three walls with floor-to-ceiling glass windows in the bookshop, the variable bookshelves create a spatial interface that can be both relatively enclosed and permeable.
▼书架布展，arrangement of the bookshelves © 傅圣迪
▼叉书店中央书架变化，movement of the central shelves ©李雁军
▼书架局部与纸长凳，details of the shelves and the paper bench © 傅圣迪 / 李雁军
▼书架搁板细部，details of the shelves © 傅圣迪
此外，叉书店和工作坊的墙面装置由镀锌钢管与镀银杜邦纸构建。它们在创造氛围的同时，也可作为室内海报的悬挂位。此项目还包含纸展台、纸坐凳、推车、工作桌等一系列定制家具，使用了蜂窝纸板、桦木胶合板（俗称“海洋板”）、铝型材等材料，与杜邦纸及镀锌钢管的材质相得益彰。
▼工作坊轴侧图，axonometric drawing of the workshop © 已知建筑
The project also includes a range of custom-made furniture (such as paper-counters, paper-benches and stools, trolleys and desks, etc.) designed with materials as honeycomb cardboards, birch plywood, aluminum profiles, all of which appear in a perfect harmony with Tyvek and galvanized steel pipes.
▼工作坊室内全景，interior view of the workshop © 李雁军
▼工作坊“圆桌”布局，the “Round Table” of the workshop © 傅圣迪
▼工作坊布局变化，layout changes of the workshop © 李雁军
为满足不同使用场景，工作坊的桌子特意设计为梯形桌面，它们可以自由组合出曲线或直线、集中或分散的空间形态。在整个项目中，除了叉书店的新增地台，其余所有书架、地柜、墙面装置、桌椅等均可直接搬离或经过简单拆卸而移除，充分实现了空间复合功能和可变性。
▼定制家具轴侧图，axonometric diagram of the custom furniture © 已知建筑
In order to meet the needs of different scenarios, the workshop desk is specifically designed with a trapezoidal desk top, which could allow free combinations of curved and straight, concentrated and dispersed spatial forms. In the whole project, with only one exception of the wooden platform in X-Art Bookshop, all other furniture such as bookshelves, wooden cabinets, wall-installations, desks, benches and stools can be moved directly or removed by simple dismantling. The design has fully ensured the possibility of multi-functional and variable spaces in the future.
▼工作坊推车与置物架，cart and shelving of the workshop © 李雁军
▼工作坊纸坐凳、工作桌以及书店纸展台细部，workshop paper stool, work table and the bookstore paper stool details © 李雁军
▼总平面图，master plan © 已知建筑
▼平面图，plan © 已知建筑
▼剖面图，section © 已知建筑
▼书架轴侧图与大样图，axonometric drawing and construction details of the bookshelf © 已知建筑
项目名称：纸的变换：平行所叉书店与工作坊室内外更新设计
项目类型：室内设计 / 商业零售 / 展览设计 / 家具设计
设计方：已知建筑
项目设计：2022年
完成年份：2022年
设计团队：傅圣迪，刘泉泉
项目地址：浙江省杭州市西湖区创意路313号象山艺术公社32幢、52幢
建筑面积：190m2
摄影版权：李雁军，傅圣迪
客户：杭州平行所文化艺术有限公司
材料：镀锌钢管、PC阳光板、杜邦纸、桦木胶合板、铝型材等
品牌： DuPont™ Tyvek®, 俄罗斯SVEZA桦木胶合板
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