野生环境中创造全新秩序，成为长效的文明。
包容不被驯化的灵魂，链接瞬间迸发的想象。
本立以直击本质的设计，改造老厂房作为办公室。
成为交流、讨论和观念碰撞的空间。
Create a new order in the wild environment, and become a long-term civilization.
Accept the undomesticated soul, link the instant burst of imagination.
Benlink Design to directly hit the essence of the design, to transform the old factory building as an office.
Become a space for communication, discussion and collision of ideas.
▼项目外观，Exterior view © 杨俊宁
01. 工业质性
Industrial quality
这座珠江河畔上世纪60年代的老厂房，前身是华南最大的金珠江双氧水厂。墙面的修补痕迹，无声宣告着工业历史。本立将其改造为办公室，深入野生状态构建全新秩序。项目前期将原厂房装饰面拆除，空间归零如白色画布，古老的砖墙与柱体自然流露，与全新的装饰材质一起作为空间的新皮肤。碰撞中协调出自然的时间痕迹。也为空间带来如施工现场般的表现力，激发着创造与思考。
▼爆炸分析图，analysis diagram © BENLINK DESIGN
This old factory in the 1960s along the Pearl River was formerly the largest Jinzhu River hydrogen peroxide water plant in South China. The repair traces of the wall silently announce the industrial history. Benlink Design transformed it into an office, going deep into the wild state to build a new order. In the early stage of the project, the decorative surface of the original workshop is removed, and the space is like a white canvas. The ancient brick walls and columns are naturally revealed, and the new skin of the space together with the new decorative material. Natural time traces are coordinated in the collision. Also for the space such as the construction site like expression, stimulate the creation and thinking.
▼大面积黑色的外立面，Black facade © 杨俊宁
外立面采用黑色胶粘石，整面黑色中设置长条开口，破除大面积黑色带来的肃穆感，作为内外流通的气口。并将照明设备藏于开口内，满足夜间照明需求。门面上没有张扬的招牌，简介与生铁板融为一体，字迹随着时间自然斑驳。一旁设有玻璃落地窗，由此内外形成互动，立于街道便能看见内部前厅，指引来者进入。
The facade is made of black adhesive stone, and the long opening is set in the whole black surface to break the solemn sense brought by the large area of black, and serve as the air outlet of internal and external circulation. And hide the lighting equipment in the opening, to meet the night lighting needs. There is no publicity signboard on the door, the introduction and iron plate integration, the handwriting is naturally mottled with time. There are glass floor-to-ceiling Windows on one side, which forms an interaction between inside and outside. Standing in the street, you can see the inner front hall and guide the visitors to enter.
▼入口处，Entrance © 杨俊宁
▼入口门厅的简介牌，The introduction board © 杨俊宁
02. 自然造园
Landspace naturally
空间布局引入东方造园概念，简洁的体量中，小中见大的造园手法，通过三段桥体形态串联起不同功能区，创造出视野开阔且动线曲折的空间，带来无限丰富的趣味体验。
The spatial layout introduces the concept of oriental gardening. In the simple volume, the large gardening techniques of small medium connect different functional areas through three bridge forms, creating a space with broad vision and winding lines, bringing infinite and rich interesting experience.
▼园林般的内部空间，Garden-like interior space © 杨俊宁
桥体如园林的廊道，拥有宽窄变化的形态，并具备功能性。同时隐喻外界与内部的链接瞬间。
The bridge body is like the corridor of the garden, with the form of the width and narrowness change, and has the functionality. At the same time, the link between the outside and the inside.
▼桥体状的廊道，Bridge-like corridor © 杨俊宁
前厅区域作为外与内的过渡地带，也是日常的策展与活动区域。拉索桥体从墙体中穿出，底部呈现上抬趋势，同时灯光逐渐从天花转向地灯，感官上带来入门仪式感。桥体两旁以碎石象征河流般的原始动感。自然而原始的表现形式，营造游园般的氛围。
The front hall area, as the transition zone between outside and inside, is also the daily curation and activity area. The cable bridge body runs through the wall, the bottom shows an upward trend, and the light gradually changes from ceiling to the ground lamp, bringing a sense of introductory ritual on the senses. On both sides of the bridge, gravel to symbolize the primitive movement of the river. Natural and primitive form of expression, to create a garden-like atmosphere.
▼前厅区域，Front hall area © 杨俊宁
▼前厅处的休闲空间，Leisure space at front hall area © 杨俊宁
工作区域的桥体则以岛的形态，串联办公大厅和材料手工区。中岛作为空间中心主体，承载日常讨论互动。岛两端经由镀锌板展柜体块围合，自然划分区域并形成回游动线。抽象处理的展柜体块呼应桥体上的货柜，并与整体环境达成和谐的状态。
The bridge body in the working area is in the form of an island, connecting the office hall and the material manual area. As the main body of the space center, the middle island carries the daily discussion and interaction. The two ends of the island are enclosed by the galvanized board display cabinet to naturally divide the area and form a back swimming line. The abstract display case block echoes the container on the bridge body, and achieves a harmonious state with the overall environment.
▼工作区域，Working area © 杨俊宁
天花倒三角形，桥梁拉索为支撑形成桥体。在原始本色为基调的空间内，家具延续延续外立面的黑色，营造出包容万象的神秘与实验感。
The ceiling is an inverted triangle, and the bridge cable is supported to form the bridge body. In the space where the original essence is the keynote, the furniture continues to continue the black of the facade, creating a mysterious and experimental sense of inclusiveness.
▼支撑天花板的拉索结构，Cable structure supporting the ceiling © 杨俊宁
空间深处设有合伙人办公室和会议室。此处的桥体形态回转曲折地穿行于中间，并围合出半户外庭院的休闲空间，细节处布置吸水石，自然吸水生长青苔，为办公场景增添野趣。
Deep in the space are partners’ office and boardroom. The bridge shape here twists and turns through the middle, and surrounds the leisure space of the semi-outdoor courtyard. The water-absorbing stone is arranged in the details, which naturally absorbs water and grows moss, adding wild interest to the office scene.
▼办公室和会议室，Office and boardroom © 杨俊宁
03. 野生文明
Wild civilization
野生环境中构建文明秩序，是此次「本立设计」办公空间设计过程的精简概括。同时也显示出本立作为设计公司的本质思考。野生一词，正揭示着本立的设计脉络，在自然野趣的空间内，不断通过交流探讨，链接瞬间的意识，激发着创造力。而文明一词，以更理性的态度，传递出本立直击本质，践行长效的设计理念。设计时预留出变化的空间，从而能够更长时间地契合使用者的状态，期待着于内外皆产生积极的影响。
Building a civilized order in the wild environment is a concise summary of the design process of the “Benlink Design” office space. It also shows the essential thinking of Benlink as a design company. The word “wild” reveals the design context of Benlink. In the space of nature and wild interest, it constantly links the instant consciousness through communication and discussion and stimulates creativity. The word “civilization”, with a more rational attitude, conveys the essence of the direct attack and practices the long-term effect design concept. The design reserves the space for change, so as to fit the state of the user for a longer time, and expects to have a positive impact on both inside and outside.
▼充满秩序的家具，Furniture full of order © 杨俊宁
04. 细部
Details
局部装饰材料上，古老的砖墙与全新的铁板相互碰撞，并在整体上构成和谐的状态。不同地面材料之间的碰撞，细节处的使用痕迹是天然的空间记录。原厂房的柱子自然流露，与新空间形成对话关系。工字钢作为局部抬高的地面收口方式，灯具刚好隐于工字钢内部，既起到照明功能又视觉一体化。
On the local decorative material, the old brick wall and the brand new iron plate collide with each other, and constitute a harmonious state on the whole. The collision between different ground materials, the use of details are natural spatial records. The pillars of the original factory building reveal naturally and form a dialogue relationship with the new space. I-steel as a local elevation of the ground closing way, the lamps and lanterns just hidden in the inside of I-steel, both lighting function and visual integration.
▼拉索结构细部，Details of cable structure © 杨俊宁
▼砖墙与铁板的碰撞，Brick wall and iron plate © 杨俊宁
▼细节处的使用痕迹，Traces of use in the details © 杨俊宁
项目名称: 本立设计办公室/野生文明
设计方: 本立设计
项目设计 & 完成年份: 2022年
主创及设计团队
设计师：谢馥懋，江铭深，曾志荃
设计团队：曾选亮，黄开飞，何明凤”
项目地址: 广东广州荔湾区芳村大道200号1850创意园15栋1楼
建筑面积: 420㎡
摄影版权: 杨俊宁
客户: 本立设计
材料: 胶粘石、生铁板、锌铁板、艺术漆、陶砖
|
