Casa Tamarindo以“He arrived first”为前提，旨在解释建筑与自然之间的共生关系。这棵树是建筑项目的主要部分和组织轴。从主入口到构成项目的其他空间，都有框架自然的建筑元素。公共和私人区域通过朝向自然分离，并响应树木的原始位置，保持大部分原始景观的完整，并将自然景观带入室内。房子的所有区域都自然地连接到室外，总是寻求内部庭院和通往花园的路径。这个提议不仅拯救了一棵树，而且使它成为项目的主角。
With the premise of "He arrived first", Casa Tamarindo is a home that aims to explain the symbiosis between architecture and nature. The tree is the main piece and organizing axis of the architectural project. Built elements that frame nature from the main entrance to the other spaces that make up the program. The public and private areas are naturally separated by orientation and responding to the original location of the tree, maintaining most of the original landscape intact and bringing the natural landscape inside. All areas of the house are naturally connected to the outdoors, always seeking internal courtyards and paths that end in gardens. A proposal that not only rescues a tree but makes it the protagonist of the project.
建筑师没有避开树木，而是决定拥抱它们。该项目位于圣塞巴斯蒂安社区的中心，在一个具有不规则特征和原有植被的地块上，为一位塑料艺术家和他的妻子开发这一座独户住宅。虽然建筑方案并不复杂，但地块的特点、客户对形象的要求、必须完整保留的现有大树以及相邻的元素等因素，造就了解决一个两居室住宅的挑战，包括浴室、开放式起居室/餐厅/厨房区、塑料工作室、写作和工作室，以及各种外部区域，包括花园区域、游泳池、室外用餐区、室外生活区和日光浴区这些都在一个楼层解决。
Instead of avoiding trees, the architects decided to embrace them. Located in the center of the San Sebastian neighborhood, on a plot with irregular characteristics and pre-existing vegetation, it was the canvas to develop a single-family home for a plastic artist and his wife, a graphic designer and writer.Although the architectural program was not complex, the characteristics of the plot, the client's requirements regarding the image, the existing larger trees that had to be preserved in their entirety, and the adjoining elements were the factors that created the challenge of resolving a 2-bedroom home with a bathroom, an open-plan living/dining/kitchen area, a studio for plastic work, a writing and work studio, and various exterior areas that include garden areas, a pool, an outdoor dining area, an outdoor living area, and a sunbathing area, all resolved on a single floor.
该项目的总体概念是创造一个允许其居民全天享受不同空间的家，围绕罗望子树组织这些空间，罗望子树是最古老和最大的树，为利用交叉风和自然采光寻求最佳方向。两个元素在整体的构成中非常突出，罗望子树作为一个焦点，将周围的空间组织起来，作为一个中央庭院，允许室内向一个被建筑体量控制、设计和控制的外部开放。
The general concept of the project was to create a home that allows its inhabitants to enjoy different spaces throughout the day, organizing these around the Tamarind tree, which was the oldest and largest tree, seeking the best possible orientation for the use of cross breezes and natural lighting.Two elements clearly stand out in the composition of the ensemble: the Tamarind tree, which serves as a focal point and organizes the spaces around it, as a central courtyard allowing the interiors to open towards a controlled, designed, and contained exterior by the architectural volumes.
第二个元素是引导墙，它接收所有的居民，包括他们自己的和陌生人，并引导他们逐渐穿过地形，在整个旅程中创造一个愉快的路径，从街道到主入口本身。这面墙的存在和变化，有时是完全盲目的，其高度为6.20米，很有气势，而在其他时候，它打开创造一个大窗户，在两个方向上既可以是建筑元素，也可以是现有的和互补的植被。它也变成了一个标记入口的壁龛，并容纳了主入口的外部前厅，最终结束并接收塑料工作室。
The second element is the guiding wall that receives all the inhabitants, their own and strangers, and leads them gradually through the terrain, creating a pleasant path throughout the journey, from the street access to the main entrance itself. This wall is present and transforms along its length, sometimes being completely blind and imposing with its 6.20 meters in height, and at other times, it opens up to create a large window that frames in both directions either the built architectural element or the existing and complementary vegetation. It also transforms into a niche that marks the access and houses the exterior vestibule of the main entrance, to finally end and receive the plastic work studio.
|
