| MUHU DESIGN | 左岸君兰 | 私宅

目后空间设计 · 发表于昨天 15:11

“此岸是君兰，彼岸是左岸”

当一个空间被冠以“法派复古”之名，我们尝试避免沉溺于符号的堆砌，或对某个时代的怀旧复刻。真正的“复古”，其精神内核是时间性。在本案中，我们所探讨的，是在一个现代建筑框架内，如何通过材质、光影与比例的当代转译，使空间成为一个承载“居住痕迹”的容器，在崭新与温润、理性与感性之间，建立一种微妙的、充满张力的对话。

When a space is labeled as "Futurist Revival", we endeavor to avoid indulging in the mere accumulation of symbols or the nostalgic replication of a certain era. The true essence of "revival" lies in temporality. In this case, what we are exploring is how, within a modern architectural framework, through contemporary reinterpretations of materials, light, and proportions, the space can become a container that holds "living traces", establishing a subtle and tense dialogue between the new and the warm, rationality and sensibility.

入口，是这场对话的序章。
门牌以金属铭刻的形式，冷静而克制。黑色金属玻璃门以理性的几何分割，构成一道清晰的空间界限，玻璃透出朦胧的光晕，宣告着内部世界的私密与宁静。向内延伸，地面黑白大理石拼花重组古典的繁复，成为引导视线、奠定空间秩序的第一层“地质沉积”。这既是对经典装饰语言的致敬，亦是将其抽离、重构为现代空间基底的宣言。

The entrance is the prologue of this dialogue.

The doorplate is presented in the form of metal engraving, calm and restrained. The black metal glass door is divided into rational geometric sections, forming a clear spatial boundary. The glass emits a hazy glow, announcing the privacy and tranquility of the inner world. As one moves inward, the black and white marble mosaic on the floor reassembles the classical complexity, becoming the first layer of "geological sedimentation" that guides the line of sight and establishes the spatial order. This is both a tribute to the classic decorative language and a declaration of extracting and reconfiguring it into the base of a modern space.

过道回廊：一幅画的策展与一场光的仪式

画面核心的爱马仕丝巾装裱画，由我们为客户挑选画面内容与画框造型并亲自装裱，完成从“时尚配饰”到“架上艺术”的媒介转换。黑色画框并非随意，其克制却带着自然肌理的线条，与画面内奔放的色彩形成张力，既确保视觉的稳定，又不喧宾夺主。本质是在空间中，为业主注入了一个高度个人化的、可被凝视的“文化切片”，墙面与地面则是永恒的静默舞台。这一切共同作用，使得每一次途经，都成为一次短暂的驻足与凝视，让日常的行走轨迹中，嵌入了艺术化的片刻。

Corridor and Gallery: The Curating of a Painting and a Ceremony of Light

The core of the Hermès silk scarf framed painting was selected by us for the client, including the content of the painting and the shape of the frame, and then we personally completed the medium transformation from "fashion accessory" to "framed art". The black frame was not chosen randomly. Its restraint, combined with the natural texture of the lines, creates tension with the bold colors in the painting, ensuring visual stability while not overshadowing the main content. Essentially, in the space, we injected a highly personalized and viewable "cultural slice" for the owner. The walls and the floor are the eternal silent stage. All these together work together, making each passing experience a brief pause and gaze, embedding an artistic moment in the daily walking path.

通过黑、白、灰的理性基调构建骨骼，以天然石材的脉络、藤编的肌理、皮革的润泽、织物的柔软填充血肉，再以艺术化的灯光为灵魂。空间中的每一件物品，既是功能构件，也是时间容器。

The framework is constructed with a rational tone of black, white and gray. The natural stone veins, the texture of rattan weaving, the luster of leather, and the softness of fabrics are used to fill in the flesh and blood. The soul of the space is provided by artistic lighting. Every item in the space is not only a functional component but also a time container.

我们相信，设计的隐性价值——不在于物质的堆砌，而在于对每一个细节的叙事赋能，以及对居住者日常生活仪式感的深度塑造。

We believe that the implicit value of design lies not in the mere accumulation of materials, but in the empowerment of each detail through narrative, as well as in the profound shaping of the sense of daily life rituals for the occupants.

设计的目的，是创造一个能伴随居住者一起呼吸、生长，并最终被其独特生活轨迹所定义和丰富的、具有“时间厚度”的家。

The purpose of the design is to create a home that can breathe and grow along with its occupants, and ultimately be defined and enriched by their unique life trajectories, a home with "depth of time".

在这里，经典与现代不是对立，而是同一叙事的不同章节。

Here, the classic and the modern are not opposed to each other; rather, they are different chapters of the same narrative.

倘若左岸是一场过于拥挤的梦，那么君兰便是梦醒来时，枕畔那抹清晰的、刚好可以居住的轮廓。

If the left bank is a too crowded dream, then Junlan is the distinct, just-ample outline on the pillow when the dream ends, a place where one can truly reside.

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